Carlo Maderno and Bernini, St. Peter’s Cathedral, 1606 – 1612  

Cuts off the view of Michelangelo’s dome
Bernini comes in and makes façade lighter; also creates the piazza 
The piazza looks like a keyhole; representative of St. Peter receiving the keys and the papal authority

Carlo Maderno and BerniniSt. Peter’s Cathedral, 1606 – 1612  

  • Cuts off the view of Michelangelo’s dome
  • Bernini comes in and makes façade lighter; also creates the piazza 
  • The piazza looks like a keyhole; representative of St. Peter receiving the keys and the papal authority
4 notes
  1. artwhat posted this

artwhat.

during my first ever survey of western art class, my professor explained the difference between historians and art historians. historians, she said, were interested in old things. art historians, on the other hand, were interested in old things of quality. you don't hang garbage up on the walls of a museum; it has to be substantial and it has to mean something. so here you go; old things, made mostly by dudes long dead, of debatable degrees of quality but always with a constant level of importance. think of this as a deck of flash cards... sans the whole cards part.